French soprano Natalie Dessay is one the stars of today’s operatic world, thrilling audiences as both a singer and an actress. Now an admired interpreter of bel canto and lyric heroines such as Lucia di Lammermoor, Marie (La Figlia del Reggimento), Amina (La sonnambula), Pamina (Die Zauberflöte), Manon, Juliette and Ophélie (Hamlet), Dessay originally made her reputation with showpiece coloratura roles such as Offenbach’s Olympia, Mozart’s Queen of the Night and Strauss’ Zerbinetta.
Born in Lyon, Natalie Dessay grew up in Bordeaux. She first dreamed of becoming a dancer, but later studied acting and singing at the Bordeaux Conservatoire. She progressed with extraordinary rapidity, completing five years’ worth of study in just one year and graduating with First Prize at the age of twenty. In 1989, after a brief period in the chorus of the Théâtre du Capitole de Toulouse, she entered France’s first Concours des Voix nouvelles and won second prize.
In 1992 she sang her first Olympia in Offenbach’s Contes d’Hoffmann at Paris’s Opéra Bastille in a staging by Roman Polanski. The next year she was invited to the Vienna Staatsoper to sing Blondchen (Die Entführung aus dem Serail). In 1993 she was Olympia in the opening production for the rebuilt Opéra de Lyon and by 2001 she had performed the role in eight different stagings, including her debut appearance at La Scala in Milan. The 1990s also brought the Queen of the Night at Aix-en-Provence, Ophélie (Hamlet) in Geneva, Aminta (Die schweigsame Frau) in Vienna, Fiakermilli (Arabella) for her debut at the New York Met – followed by Olympia and Zerbinetta, Lakmé at the Opéra Comique, Eurydice in Offenbach’s Orphée aux Enfers in Lyon, and, in Paris, Morgana in Handel’s Alcina and the title role in Stravinsky’s Le Rossignol. Conductors for these appearances included Pierre Boulez, James Levine, James Conlon, William Christie and Marc Minkowski.
She also worked with Laurent Pelly, notably in Orphée aux Enfers (1997), for the first time in the role of Marie from La Figlia del Reggimento by Donizetti, as well as in Pelléas and Mélisande that was also recorded on DVD (2009).
More firsts follow in 2009 with Violetta in the summer in Santa Fe and Musetta at the Opéra de Paris in the autumn. Paris will also mount a new production of La Sonnambula for her in 2010. Her first appearances in La Sonnambula came in 2004 in Lausanne, Bordeaux, La Scala and Vienna (with Juan Diego Flórez) and her interpretation of Amina was recorded during concert performances in Lyon in November 2006 and released by Virgin Classics in autumn 2007.
Her 2 CD and DVD compilations Le Miracle d’une voix, released in 2006, have proved an enormous success, selling over 250,000 copies, each documenting her prowess as a singer and as an actress.
Her latest released album, Clair de Lune/i>, contains melodies by Debussy with Philippe Cassard at the piano. On 2012 fall, Haendel's Jules César at the Opera de Paris under the baton of Emmanuelle Haim is published by DVD.
The most part of her major roles are also available on DVD, all recorded with Virgin Classics.
Natalie Dessay, soprano
From Paris to Vienna, Natalie Dessay sang Mozart (Königing der Nacht, Konstanze, Concert’s Arias…), Richard Strauss (Zerbinetta in Ariadne auf Naxos, Sophie in Rosenkavalier, Aminta in Die Schweigsamefrau), but it is in French repertoire she made her “debut“ with Olympia in Opera de Paris and Lakmé in Opéra Comique.
Natalie Dessay sang Stravinsky’s Rossignol in Théâtre du Châtelet and in Berlin, Ophélie (Hamlet) in Grand Théâtre of Geneva, Capitole de Toulouse, Théâtre du Châtelet, Covent Garden et Liceu of Barcelona, Zerbinetta (Ariadne auf Naxos) in Metropolitan Opera of New-York and Opera de Paris.
Natalie Dessay began to sing Bel Canto with Amina (La Sonnambula) in Opéra de Lausanne, Opéra de Bordeaux, Scala of Milano and Santa Fe, Lucie de Lammermoor (the French version) in Opéra de Lyon. She sang Lucia (Italian version) in Chicago Opera, role she has to sing in the Metropolitan Opera of New-York.
She has performed Massenet’s Manon in Grand Théâtre of Geneva, Mélisande (Pelléas et Mélisande) in Glasgow, Juliette (Roméo et Juliette de Gounod) in the Met, Pamina (Zauberflöte) in Santa Fe, Lucia (Lucia di lammermoor) at The Opera de Paris, and Amina (Sonnambula) at the Opéra de Lyon and the Théâtre des Champs Elysées.
More recently, she has sung Marie (La Fille du Régiment) at the Covent Garden Royal Opera House, in Vienna and at the Met, Lucia at the Metropolitan opera under James Levine’s baton, Manon at the Liceu of Barcelona and in San Francisco.
Plans include, Manon’s part in Chicago Opera. She will sing Mélisande in Vienna (Theater an de Wien) and in Japan, Amina, Ophelie and Lucia in the Metropolitan Opera, Traviata in Santa Fé and the Festival d’Aix-en-Provence, Musetta (La Bohème), Annina, Cleopatra at the Opéra de Paris, Marie (La Fille du Régiment) at the Covent Garden Royal Opera House…
Natalie Dessay also gives numerous concerts with conductors (Japon Canada, France…)