Callimachus Hellenistic Bibliography Definition

Introduction

The word iambos (sometimes Latinized as iambus; the plural is iamboi or iambi) is a word of uncertain etymology. It seems originally to have been used of a type of poem that is first attested in Ionia in the 7th century BCE. Defining iambos has proved to be elusive, owing to the fragmentary state of the surviving evidence. Modern scholars have typically understood it as defined by content rather than form, with its most salient features being invective and the abuse of named individuals. Other characteristics are obscenity, narrative (often involving a first-person narrator), speeches embedded in narrative, moral exhortation, and the use of beast fables. Recent scholarship has emphasized the importance of occasion in determining genre in early Greek poetry, but for iambos there is no agreement on the occasion at which the poems were performed. Form, however, may not be irrelevant to understanding iambos. The iambic rhythm seems to have been characteristic of these poems, and the use of the term to describe the rhythm seems to have arisen from its association with early iambos. The problem here is that there was clearly early iambic poetry that does not reflect the characteristics associated with iambos. The most prominent association of iambos is with the poet Archilochus, and, to a slightly lesser extent, with Semonides of Amorgos and Hipponax. Although there were other composers of iambos, these three poets seem to have been considered the canonical early iambographers. In later Antiquity iambos was revived by both Hellenistic and Roman poets, but the resulting poetry seems to have been very different in character from the early form.

General Overviews

Discussion of early iambos has tended to be focused on the particular poets, but there are a number of overviews of the field as a whole. Carey 2009 is both succinct and insightful in setting the three central iambographers in the context of current scholarship. Brown 1997 prefaces a reading of the poets with a detailed discussion of the possible prehistory of the genre. Bartol 1993 is particularly useful on the question of performance and occasion. Rotstein 2010 is less interested in the iambographers than in iambos itself, and offers a detailed account of the development of the ancient understanding of the genre.

  • Bartol, Krystyna. 1993. Greek elegy and iambus: Studies in ancient literary sources. Poznań: Adam Mickiewicz Univ. Press.

    E-mail Citation »

    Discusses iambos with an emphasis on performance and occasion, seeing its social function in terms of paraenesis (“exhortation”) and entertainment.

  • Brown, Christopher G. 1997. Iambos. In A companion to the Greek lyric poets. Edited by Douglas E. Gerber, 13–88. Leiden, The Netherlands: E. J. Brill.

    E-mail Citation »

    An overview of iambos and a survey of the three major poets.

  • Carey, Chris. 2009. Iambos. In The Cambridge companion to Greek lyric. Edited by Felix Budelmann, 149–167. Cambridge, UK: Cambridge Univ. Press.

    DOI: 10.1017/CCOL9780521849449E-mail Citation »

    A concise and judicious survey of early iambos.

  • Rotstein, Andrea. 2010. The idea of iambos. Oxford, UK: Oxford Univ. Press.

    E-mail Citation »

    A comprehensive treatment of ancient understanding of iambos as a genre, employing a methodology derived from the cognitive sciences.

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Acosta-Hughes, Benjamin. The Iambi of Callimachus. Studies in the Hellenistic Development of the Iambic Tradition. Diss. University of California, Berkeley, 1995. 233 pp. Summary: DA 57, 1996/97, 1125A. Microfilm: DA 9621190.

Acosta-Hughes, Benjamin. ‘Callimachus, Hipponax and the Persona of the Iambographer.’ MD 37, 1997, 205-16.

Acosta-Hughes, Benjamin. Polyeideia. The Iambi of Callimachus and the Archaic Iambic Tradition. Berkeley & Los Angeles: University of California Press, 2002 (Hellenistic Culture and Society 35). xv, 351 pp. Introduction online at http://go.ucpress.edu/polyeideia. Paul Ojennus, BMCR 2003.02.04 || M.Annette Harder, CPh 98, 2003, 394-8 || Dee L. Clayman, CW 98, 2004/05, 112-3 || Frank Nisetich, IJCT 10, 2004, 85-99 || Sandrine Coin-Longeray 73, AC 2004, 332-3 || Heather White, Myrtia 19, 2004, 188-90 || Mary Depew, CR 55, 2005, 456-8 || Andrew D. Morrison, Hermathena 175, 2003, 95-8 || Massimo Giuseppetti, RPL 9, 2006,187-209.

Acosta-Hughes, Benjamin. ‘Aesthetics and recall. Callimachus frs. 226-9 Pf. reconsidered.’ CR 53, 2003, 478-89.

Acosta-Hughes, Benjamin. ‘The poem remembers. Conceptualization of memory in the poetry of Callimachus and Cafavy.’ CML 23.2, 2003, 19-36.

Acosta-Hughes, Benjamin. 'Le modèle inscrit. Callimaque en Catulle.' In: Yannic Durbec & Didier Pralon (edd.). Actes de la journée internationale d'étude sur les Aitia de Callimaque (Aix-en-Provence 21 mai 2004). Aix en Provence: Presses Universitaires de l'Université de Provence, 2005 [forthcoming]. .

Acosta-Hughes, Benjamin. ‘“Leukai phthengomenai selides.” Sulla fortuna di Saffo nella poesia alessandrina.’ Philologia Antiqua 1, 2007.

Acosta-Hughes, Benjamin. 'The Cicala's Song: Plato in the Aetia.' Princeton/Stanford Working Papers in Classics. May 2007.

Acosta-Hughes, Benjamin. 'Unwilling Farewell and Complex Allusion (Sappho, Callimachus and Aeneid 6.458).' In: Francis Cairns, Sandra Cairns & Frederick Williams (edd.). Papers of the Langford Latin Seminar 13. Cambridge: Cairns, 2008 (ARCA 48), 1-12.

Acosta-Hughes, Benjamin. 'Ovid and Callimachus. Rewriting the Master.' In: Peter E. Knox (ed.). A Companion to Ovid. Chichester & Malden: Wiley-Blackwell, 2009 (Blackwell Companions to the Ancient World), 236-51.

Acosta-Hughes, Benjamin. Arion's Lyre. Archaic Lyric into Hellenistic Poetry. Princeton: Princeton University Press, 2010. xv, 252 pp.

Acosta-Hughes, Benjamin. 'Reflections. Two Letters, and Two Poets.' Dictynna 7, 2010, http://dictynna.revues.org.

Acosta-Hughes, Benjamin. ‘Avant-propos.’ In: Benjamin Acosta-Hughes, Christophe Cusset, Yannick Durbec & Didier Pralonaux (edd.). Homère revisité. Parodie et humour dans les réécritures homériques. Besançon: PUFC, 2011 (Collection ISTA).

Acosta-Hughes, Benjamin. 'Epilogue.' In: Benjamin Acosta-Hughes, Luigi Lehnus and Susan Stephens (edd.). Brill's Companion to Callimachus. Leiden: Brill, 2011 (Brill's Companions in Classical Studies), 587-601.

Acosta-Hughes, Benjamin. 'Les Dioscures dans la poésie alexandrine: caractère et symbolique.' In: Christophe Cusset, Nadine Le Meur-Weissman & Fanny Levin (ed.). Mythe et Pouvoir à l'époque hellénistique. Colloque ENS Lyon, 10 et 11 juin 2010. Forthcoming.

Acosta-Hughes, Benjamin & Christophe Cusset. 'Callimaque face aux Hymnes homériques.' In: P. Brillet, R. Bouchon & N. Le Meur (edd.). Les hymnes de la Grèce antique: entre littérature et histoire. Actes du colloque de Lyon, 19-21 juin 2008. Forthcoming.

Acosta-Hughes, Benjamin & Christophe Cusset. 'Héraclès comme figure de l'archaïsme dans la poésie hellénistique.' In: Actes de la journée d'étude à l'INHA, 20 mai 2008. Forthcoming.

Acosta-Hughes, Benjamin & Ruth Scodel. ‘Aesop poeta. Aesop and the fable in Callimachus’ Iambi.’ In: M. Annette Harder, Remco F. Regtuit & Gerry C. Wakker (edd.). Callimachus II. Leuven: Peeters, 2004 (Hellenistica Groningana 7), 1-21.

Acosta-Hughes, Benjamin & Susan A. Stephens. ‘Aetia fr. 1.5: I told my story like a child.’ ZPE 136, 2001, 214-6.

Acosta-Hughes, Benjamin & Susan A. Stephens. ‘Rereading Callimachus’ Aetia fragment 1.’ CPh 97, 2002, 238-55.

Acosta-Hughes, Benjamin & Susan A. Stephens. Callimachus in Context. From Plato to the Augustan Poets. Cambridge & New York: Cambridge University Press, 2012. xvi, 328 pp. .

Acosta-Hughes, Benjamin, Luigi Lehnus & Susan Stephens (edd.). Brill's Companion to Callimachus. Leiden: Brill, 2011. xviii, 708 pp.

Adriani, Achille. ‘Precisazioni su alcuni ritratti ellenistici.’ Annuario della Scuola Archeologica di Atene 24-26, 1946-48, 147-65.

Agag, E.S.M. ‘Medical Allusions in Alexandrian Poetry.’ BACPS 10, 1994, 57-69.

Ageno, F. ‘Callimaco, Chioma di Berenice, v. 45.’ Aegyptus 10, 1929, 153-79.

Agosti, Gianfranco. ‘Eratostene sulle Muse e il re.’ Hermes 125, 1996, 118-23.

Agosti, Marco. ‘Le “salsae lacrimae” di Omero. Ennio come Callimaco?’ Aufidus 12 N° 35, 1998, 37-40.

Alberto de Cuenca, Luis. ‘The Art of Composition in Catullus, Callimachus and Martial.’ Emerita 79, 2011, 413-14.

Albiani, Maria Grazia. ‘Callimach. Ep. XXXV Pf. (= XXX G.-P.).’ MPhL 5, 1981, 1-4.

Albiani, Maria Grazia. 'Ancora su "bevitori d'acqua" e "bevitori di vino" (Asclep. XLV, Hedyl. V G.-P.).' Eikasmos 12, 2002, 159-164.

Albini, G. ‘Il carme 66 di Catullo e il nuovo frammento di Callimacho.’ Rendiconti Accademia Bologna 5, 1930/31, 108-14.

Albis, Robert V. ‘Callimachus at the end of Aeneas’ narration.’ HSCPh 95, 1993, 323-32.

Albis, Robert V. ‘Jason’s prayers to Apollo in Aetia 1 and the Argonautica.’ Phoenix 49, 1995, 104-9.

Alessi, P.T. ‘Propertius. Furor, ingenium and Callimachus.’ In: Carl Deroux (ed.). Studies in Latin Literature and Roman History V. Bruxelles: Latomus, 1989 (Collection Latomus 206), 216-32.

Alexander, Sarah. Callimachus’ poetic style in its contemporary context. Diss. University of Cambridge, 2010.

Alexopoulou, Marigo. The Theme of Returning Home in Ancient Greek Literature, The Nostos of the Epic Heroes. Lewiston, NY: Edwin Mellen Press, 2009. viii, 150 pp.

Alfonsi, Luigi. ‘Sull'elegia II,5 di Tibullo.’ RFIC 22/23, 1944/45, 130-7.

Alfonsi, Luigi. 'Note properziane.' Hermes 83, 1955, 379-84.

Alfonsi, Luigi & W. Schmid. ‘Elegie.’ In: Reallexikon für Antike und Christentum 4, 1959, 1026-61.

Allen Jr., W. ‘The Epyllion. A Chapter in the History of Literary Criticism.’ TAPhA 71, 1940, 1-26.

Allen, Archibald. ‘Propertius inter libellos… (3,9,43f.).’ Hermes 123, 1995, 377-9.

Allen, Arthur. ‘Callimachus and Echo.’ CPh 69, 1974, 211-2.

Allen, Arthur. The Fragments of Mimnermus. Text and Commentary. Stuttgart: Steiner, 1993 (Palingenesia 44). Reviews: D. Donnet, AC 64, 1995, 264-5 || D.A. Campbell, Phoenix 49, 1995, 259-60.

Altheim, F. ‘Neue Forschungen zur römischen Geschichte. Kallimachos und die römische Geschichte.’ WG 1938, 306-17.

Alvarez Hernández, Arturo. La poética de Propercio. Autobiografia artistica del “Calimaco romano.” Assisi: Tipolitografia Porziuncola, 1997 (Accademia properziana del Subasio). 336 pp. . E. Zaina, CR 50, 2000, 296-7 || G. Laguna Mariscal, Emerita 69, 2001, 176-8.

Ambühl, Annemarie. ‘Callimachus and the Arcadian Asses. The Aitia Prologue and a Lemma in the London Scholion.’ ZPE 105, 1995, 209-13.

Ambühl, Annemarie. 'Zwischen Tragödie und Roman. Kallimachos' Epigramm auf den Selbstmord der Basilio (20 PF. = 32 Gow-Page = AP 7.517).' In: M. Annette Harder, Remco F. Regtuit & Gerry C. Wakker (edd.). Hellenistic Epigrams. Leuven: Peeters, 2002 (Hellenistica Groningana 6), 1-26.

Ambühl, Annemarie. ‘Entertaining Theseus and Heracles. The Hecale and the Victoria Berenices as a diptych.’ In: M. Annette Harder, Remco F. Regtuit & Gerry C. Wakker (edd.). Callimachus II. Leuven: Peeters, 2004 (Hellenistica Groningana 7), 23-47.

Ambühl, Annemarie. 'Literarische Innovation als Verjüngung der Tradition: Kallimachos und die alexandrinische Dichtung.' In: Achatz von Müller & Jürgen von Ungern-Sternberg (edd.). Die Wahrnehmung des Neuen in Antike und Renaissance. München & Leipzig: Saur, 2004 (Colloquium Rauricum 8), 25-40.

Ambühl, Annemarie. Kinder und junge Helden. Innovative Aspekte des Umgangs mit der literarischen Tradition bei Kallimachos. Leuven: Peeters, 2005 (Hellenistica Groningana 9). xiii, 457 pp. Andreas Bagordo, MH 64, 2007, 232-3.

Ambühl, Annemarie. 'Children as Poets - Poets as Children? Romantic Constructions of Childhood and Hellenistic Poetry.' In: Ada Cohen & Jeremy B. Rutter (edd.). Constructions of Childhood in Ancient Greece and Italy. Princeton: ASCSA Publications, 2007 (Hesperia Suppl. 41), 373-383.

Ambühl, Annemarie. 'Kallimachos.' In: Christine Walde (ed.). Die Rezeption der antiken Literatur. Kulturhistorisches Werklexikon. Stuttgart/Weimar: Metzler, 2010 (Der Neue Pauly Suppl. 7), 407-20.

Ambühl, Annemarie. 'Kallimachos.' In: Christine Walde & Brigitte Egger (edd.). Die Rezeption der antiken Literatur. Kulturhistorisches Werklexikon. Stuttgart: Metzler, 2010 (Der Neue Pauly Suppl. 7), 407-20.

Ambühl, Annemarie. 'Narrative Hexameter Poetry.' In: James J. Clauss & Martine Cuypers (edd.). A Companion to Hellenistic Literature. Chichester & Malden: Wiley-Blackwell, 2010, 151-65.

Anagnostou, Evangelia. Studies in Ancient Erotic Mythology. Ritual and Literary Values of Initiation Patterns. Diss. University of Kent, 2001.

Anagnostou, Evangelia. Eros and Ritual in Ancient Literature. Singing of Atalanta, Daphnis and Orpheus. Piscataway, NJ: Gorgias Press, 2005 (Gorgias Dissertations 11/Classics 3). xxxv, 574 pp.

Ancelot, K. ‘Le nouveau Callimaque.’ RBPh 1944, 589.

Ancher, G.P. ‘P. Lille 111c et P. Lille 76abc (+ 73).’ ZPE 30, 1978 , 27-35.

Andor, J. 'Die römische Episode bei Kallimachos.' AAntHung 1, 1951, 121-6.

Andrews, Nancy E. ‘Philosophical Satire in the Aetia Prologue.’ In: M. Annette Harder, Remco F. Regtuit & Gerry C. Wakker (edd.). Genre in Hellenistic Poetry. Groningen: Forsten, 1998 (Hellenistica Groningana 3), 1-19.

Angeli, Aanna. ‘Per l'esegesi di Callimaco, Hym. Ap. 4, 14, 52.’ AFLN 17, 1974/75, 71-9.

Angeli, Anna. ‘Papirologia, storia e critica del testo.’ A&R 2, 2008, 3-42.

Angiò, Francesca. ‘Callimaco, Apollonio Rodio e il canto delle Sirene.’ Rudiae 7, 1995, 5-11.

Angiò, Francesca. 'Callimaco, Aitia, fr. 64, 10 Pf.' In: Antonio Martina & Anna-Teresa Cozzoli (edd.). Callimachea I. Atti della prima giornata di studi su Callimaco (Roma, 14 maggio 2003). Roma: Herder, 2006, 57.

Angiò, Francesca. 'Callimaco, Aitia, fr. 1,11-12 Pf. (= 1,11-12 M.).' ZPE 160, 2007, 32.

Angiò, Francesca. ‘Da un epilogo all’altro (Posidipp. 118 A.-B. e Call. Aitia, fr. 112 Pf. = 215 M.).’ PP 66, 2011, 47-9.

Anonymous. Callimaco, frammenti. Scelti per esercitazioni filologiche. Bologna: Zanichelli, 1933. 20 pp.

Anti, C. ‘Sulle orme di Callimaco a Cirene. I luoghi e i monumenti. AI 2, 1929, 217-30.

Antúnez, Daniela. 'La imagen del viaje a Éfeso en el Yambo XIII de Calímaco.' Synthesis 13, 2006, 67-78.

Antúnez, Daniela. ‘Comentario a un fragmento de Calímaco:(fr. 227 Pf.).’ Circe 11, 2007, 27-39.

Appel, Wlodzimierz. ‘Zur Frage der Interpretatio Homeri bei den späteren Dichtern.’ ZPE 101, 1994, 49-52.

Ardizzoni, Anthos. ‘Apoll. Arg. 1.1213-1220.’ MCr 1931, no.2, 264-5.

Ardizzoni, Anthos. ‘Eracle e Tiodamante in Callimaco e in Apollonio Rodio.’ RFIC 13, 1935, 452-67.

Ardizzoni, Anthos. Studi di poesia ellenistica (Apollonio Rodio, Callimaco). Napoli 1940. H. Herter, Gnomon 17, 1941, 188-90.

Ardizzoni, Anthos. 'Callimaco "Ipponatteo".' AFLC 28, 1960, 3-16.

Ardizzoni, Anthos. 'Considerazioni sulla struttura del libro dei Giambi di Callimaco.' In: Miscellanea di studi alessandrini in memoria di A. Rostagni. Torino: Bottega d'Erasmo, 1963, 257-62.

Ardizzoni, Anthos. ‘Apollonio Rodio 1.177.’ Helikon 5, 1965, 532-3.

Ardizzoni, Anthos. ‘Echi pitagorici in Apollonio Rodio e Callimaco.’ RFIC 93, 1965, 257-67.

Ardizzoni, Anthos. ‘Note sul testo di Apollonio Rodio e Callimaco.’ GIF 22, 1970, 40-6.

Ardizzoni, Anthos. ‘Antagora fr. I, 1 Pow.; Callimaco Hymn. I, 5; V, 303.’ In: Studi classici in onore di Q. Cataudella. Catania 1972, I.415-8.

Ardizzoni, Anthos. ‘Sulla Chioma di Berenice. Callimaco fr. 110 Pf., Catullo LXVI,55-56.’ GIF 27, 1975, 198-200.

Ardizzoni, Anthos. ‘Ischiorrogici in Callimaco.’ GIF 32, 1980, 1.

Ardizzoni, Anthos. ‘Riflessioni sul primo giambo di Callimaco (Fr. 191 Pfeiffer).’ GIF 32, 1980, 145-55.

Ardizzoni, P.A. Inni di Callimaco. Catania: Stud. Edit. Mod., 1932. 135 pp. C. Cessi, BFC 39, 1933, 177-9 (reply Ardizzoni: Nuova Italia 1933, 231-2) || Taccone, MC 1934, 202.

Ardizzoni, P.A. ‘La fame di Erisittone nell'inno VI di Callimaco.’ MC 1932, 133-40.

Ardizzoni, P.A. ‘Per una critica degli Inni di Callimaco.’ Nuova Italia 1933, 231-2.

Arens, J.C. 'Erysichthon. Revius en Callimachus.' NPh 44, 1960, 147-9.

Aricò, Giuseppe. ‘Sulle tracce di una poetica staziana.’ BStudLat 1, 1971, 217-39.

Aricò, Giuseppe. ‘Diviso vertice flammae.’ RFIC 100, 1972, 312-22.

Arkins, Brian. ‘Callimachus and Catulli Veronensis Liber (Note de lecture. 335).’ Latomus 46, 1987, 847-8.

Arkins, Brian. ‘The Freedom of Influence. Callimachus and Latin Poetry.’ Latomus 47, 1988, 285-93.

Arkins, Brian. ‘A Note on Vergil, Eclogues 10.4-6.’ LCM 15, 1990, 66.

Arkins, Brian. ‘Two notes on Catullus: I. 68.145; II. Crucial constants in Catullus: Callimachus, the Muses, friends and enemies.’ LCM 17, 1992, 115-8.

Armstrong, Rebecca. Cretan Women. Pasiphae, Ariadne, and Phaedra in Latin Poetry. Oxford: OUP, 2006 (Oxford Classical Monographs). 368 pp. Roland Mayer, BMCR 2006.11.41 (http://ccat.sas.upenn.edu/bmcr/2006/2006-11-41.html) || Antony Augoustakis, CR 57, 2007, 416-7.

Arnim, Hans von. Zum neuen Kallimachos. Wien: A. Hölder, 1910 (Sitzungsberichte der kaiserlichen Akademie der Wissenschaften in Wien, philosophisch-historische Klasse, Bd. 164, Abh. 4). 26 pp.

Arnott, W. Geoffrey. ‘Imitation, variation, exploitation. A study in Aristaenetus.’ GRBS 14, 1973, 197-211.

Arnott, W. Geoffrey. ‘Two Functions of Ambiguity in Callimachus’ Hymn to Zeus.’ RCCM 18, 1976 (Miscellanea di studi in memoria di M. Barchiesi), 13-8.

Arnott, W. Geoffrey. ‘Review-discussion of Hollis (ed., comm.). Callimachus, Hecale.’ LCM 17, 1992, 27-31.

Arnott, W. Geoffrey. ‘Wit and word play in the early hellenistic epigram.’ Sandalion 20, 1997, 7-14.

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Arrighetti, Graziano. ‘Filodemo, Lucrezio e le poetiche dell’Ellenismo.’ WJA 25, 2001, 133-55.

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Austin, Colin. ‘L'apothéose d'Arsinoé (P.Berol. 13417 A = Callim. fr. 228 Pf.).’ In: Guido Bastianini & Angelo Casanova (edd.). Callimaco: cent'anni di papiri. Atti del convegno internazionale di studi, Firenze, 9-10 giugno 2005. Firenze: Istituto Papirologico G. Vitelli, 2006 (Studi e testi di papirologia n.s. 8), 57-68 pl. 1-2. Serena Cannavale, A&R n.s. 1, 2007, 73-9 || Valentina Garulli, Eikasmos 18, 2007, 451-6 || Jean Lenaerts, CE 83, 2008, 351-4 || Daniela Colomo, Tyche 22, 2007, 227-30.

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Bajoni, Maria Grazia. ‘“Ales equos”: Catull. 66, 54 e Callimaco 110 Pf., 52-54.’ Aevum(ant) 3, 1990, 163-7.

Baker, Robert J. ‘Propertius iii,1,1-6 again. Intimations of immortality?’ Mnemosyne 21,1968, 35-9.

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Barbantani, Silvia. “Phatis nikêphoros.” Frammenti di elegia encomiastica nell’età delle Guerre Galatiche. Supplementum Hellenisticum 958 e 969. Milano: Vita e Pensiero (Biblioteca di Aevum Antiquum), 2001. xx, 333 pp. Benjamin Acosta-Hughes, BMCR 2003.02.20 || Hugh Lloyd-Jones, CW 96, 2002/03, 345-6 || Francesca Angiò, Gnomon 75, 2003, 550-2.

Barbantani, Silvia. 'Callimachus and the contemporary historical "epic".' In: Steven B. Jackson & Damien P. Nelis (edd.). Studies in Hellenistic Poetry = Hermathena 173/174, 2002/03 [2005], 29-47.

Barbantani, Silvia. ‘Supplementum Hellenisticum 969 (PSI inv. 436): in praise of a Ptolemaic general?’ In: Bernhard Palme (ed.). Akten des 23. Internationalen Papyrologenkongresses, Wien, 22.-28. Juli 2001. Wien: Verlag der Österreichischen Akademie der Wissenschaften, 2007 (Papyrologica Vindobonensia 1), 19-24.

Barbantani, Silvia. ‘Lyric in the Hellenistic Period and Beyond.’ In: Felix Budelmann (ed.). The Cambridge Companion to Greek Lyric. Cambridge & New York: Cambridge University Press, 2009, 297-318.

Barbantani, Silvia. ‘Idéologie royale et littérature de cour dans l’Égypte lagide.’ In: Ivana Savalli-Lestrade & Isabelle Cogitore (edd.). Des Rois au Prince: prâtiques du pouvoir monarchique dans l'Orient hellénistique et romain (IVe siècle avant J.-C. - IIe siècle après J.-C.). Grenoble: Université Stendhal / ELLUG, 2010, 227-51.

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Calame, Claude. The Poetics of Eros in Ancient Greece. Translated by Janet Lloyd, with a foreword by Froma Zeitlin. Princeton 1999. xiii, 213 pp. [Supplemented translation of: I Greci e l’eros: simboli, pratiche e luoghi. Roma & Bari 1992. Also: ‘L’Éros dans la Grèce antique. Paris: Belin, 1996.]. C. Clark, BMCR 1999.8.11 || P. Walcot, G&R 47, 2000, 122 || S. Goldhill, CPh 95, 2000, 358-60 || P.G. Maxwell-Stuart, CR 51, 2001, 327-8.

Calame, Claude. Poétique des mythes dans la Grèce antique. Paris: Hachette, 2000 (Langues et civilisations anciennes). 288 pp. M. Clarke, BMCR 2000.12.18 || R. Buxton, JHS 121, 2001, 178-9.

Calame, Claude. ‘Une légende thébaine vue d’Alexandrie. Tirésias et Athèna dans l’Hymne au bain de Pallas de Callimaque.’ In: Paola Angeli Bernardini (ed.). Presenza e funzione della città di Tebe nella cultura greca. Atti del convegno internazionale (Urbino, 7-9 giuglio 1997). Pisa & Roma: Istituti editoriali e poligrafici internazionali, 2000, 267-90.

Calame, Claude. Myth and History in Ancient Greece. The Symbolic Creation of a Colony. Translated by Daniel W. Berman. Princeton: Princeton UP, 2003. xvii, 178 pp. Evangelia Anagnostou-Laoutides, BMCR 2004.11.34 || Erwin Cook, BMCR 2004.11.36 || Noel Robertson, Mouseion 4, 2004, 191-3 || Pura Nieto Hernández, CR 55, 2005, 500-2.

Calame, Claude. 'Deictic ambiguity and autoreferentiality. Some examples from Greek poetics.' Arethusa 37, 2004, 415-43.

Calame, Claude. 'Legendary narration and poetic programme in Callimachus’ Hymn to Apollo.’ In: Masks of Authority. Fiction and Pragmatics in Ancient Greek Poetics. Translated from the French by Peter M. Burk. Ithaca, NY: Cornell UP, 2005 = ‘Narration légendaire et programme poétique dans l'Hymne à Apollon de Callimaque.’ In: Masques d’autorité. Fiction et pragmatique dans la poétique grecque antique. Paris: Les Belles Lettres, 2005. Helen Van Noorden, BMCR 2005.09.36 (http://ccat.sas.upenn.edu/bmcr/2005/2005-09-36.html).

Calame, Claude. Masks of Authority. Fiction and Pragmatics in Ancient Greek Poetics. Translated from the French by Peter M. Burk. Ithaca, NY: Cornell UP, 2005. 280 pp. = Masques d’autorité. Fiction et pragmatique dans la poétique grecque antique. Paris: Les Belles Lettres, 2005 (L'âne d'or 24). 335 pp. Helen Van Noorden, BMCR 2005.09.36 || Antje Kolde, REA 108, 2006 || Christophe Cusset, AC 76, 2007, 232-3 || Catarina Fouto, Euphrosyne 35, 2007, 539-40 || Bernard Mezzadri, L'Homme 181, 2007, 271-4 || Frank Müller, MH 64, 2007, 237-8 || Érico Nogueira, LCláss 8, 2004, 179-87.

Calame, Claude. Masques d'autorité: fiction et pragmatique dans la poétique grecque antique. Paris: Les Belles Lettres, 2005 (L'âne d'or 24). 335 pp. Antje Kolde, REA 108, 2006, 751-2 || Christophe Cusset, AC 76, 2007, 232-3 || Catarina Fouto, Euphrosyne 35, 2007, 539-40 || Bernard Mezzadri, L'Homme 181, 2007, 271-4 || Frank Müller, MH 64, 2007, 237-8.

Calame, Claude. 'Pragmatique de la fiction: quelques procédures de deixis narrative et énonciative en comparaison (poétique grecque).' EL 2005: 119-43.

Calcante, Cesare M. ‘La poetica della purezza da Callimaco ai poeti augustei.’ Athenaeum 97, 2009, 425-49.

Calcante, Cesare Marco . ‘Il proemio degli Aitia di Callimaco e il dibattito ellenistico sull'eufonia. RIL 141, 2007, 13-57.

Calderón Dorda, Esteban. ‘Observaciones a Calímaco, A.P. XII 150.’ In: Luis Gil, Marcelo Martínez Pastor, Rosa María Aguilar (edd.). Corolla Complutensis in memoriam Josephi S. Lasso de la Vega [Homenaje al profesor José S. Lasso de la Vega]. Madrid: Universidad Complutense, 1998, 249-54.

Calvié, L. 'Le vertige des formes poétiques dans la Boucle de Bérénice de Callimaque d'après sa traduction latine par Catulle.' In: Yannic Durbec & Didier Pralon (edd.). Actes de la journée internationale d'étude sur les Aitia de Callimaque (Aix-en-Provence 21 mai 2004). Aix en Provence: Presses Universitaires de l'Université de Provence, 2005 [forthcoming]. .

Camacho Rojo, José María & Pedro Pablo Fuentes González & Juan Luis López Cruces. ‘Las citas en Diodoro de Sicilia. 1. las citas poéticas.’ Fortunatae 9, 1997, 13-32.

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